“The Farewell” highlights the cultural divide between east and west, but it also emphasizes the commonalities between the two in terms of love of family and the difficulty of coming to terms with death. Here’s the Culture Curmudgeon’s review.
“The Recovering” further cements the belief that redemption that leads to a life worth living is always possible. Even in the darkest of one’s days, life can still be a series of second chances that all of us have a right to.
With the emotionally complex and brilliant “Shoplifters”, Japanese Director Hirokazu Kore-eda has become one of this generation’s most gifted directors. Here’s the Culture Curmudgeon’s review of probably one of the best films of the last decade.
There are only two reasons why you should see “Bohemian Rhapsody”. First, it’s a flashy nostalgia trip about Queen’s music. Second, Rami Freakin’ Malek. Watch him and be amazed. Here’s the Culture Curmudgeon’s review.
“The Fall” is about the fight of South Africans for a more equal society. It’s a story of struggle that resonates deeply with the state of American politics and race relations today. Here’s the Culture Curmudgeon’s review.
“Won’t You Be My Neighbor?” harkens back to a kinder America where everyone was willing to welcome the tired, the poor, and the huddled masses regardless of where they’re from. The Culture Curmudgeon looks back fondly on Fred Rogers’ legacy.
“The Remains” isn’t about the redemptive power of love either. If anything, Ken Urban’s play kicks Cupid in the privates, rips the audience’s collective heart out of their chests and stomps on it. It’s not a play that reaffirms marriages. Instead, it calls into question why we even get into relationships at all.
These are extraordinary times in U.S. politics and race relations. That’s why Arena Stage’s version of August Wilson’s “Two Trains Running” is must see theater in Washington D.C. Here’s the Culture Curmudgeon’s review.
There’s a reason why “The Winter’s Tale” is one of William Shakespeare’s lesser known plays. Here’s the Culture Curmudgeon’s review of Aaron Posner’s visually appealing, but ultimately disappointing production.
We can’t choose our families but we can choose how to recover from them. Or not. Here’s Ahmad Coo’s review of Arena Stage’s production of Arthur Miller’s “The Price”, a fascinating study of the American family dynamic.
When you look at your boy/girlfriend wife/husband who do you see? Do you see a person you love or someone you regret? Lucy Prebble’s “The Effect” goes inside your head to find out.
Here’s the Culture Curmudgeon’s loving review.
“High and Low” is one of the greatest films ever made: both a police procedural and a scathing portrait of postwar Japan. Here’s the Culture Curmudgeon’s review of one of Akira Kurosawa’s lesser known master works.
We are mercurial, unpredictable creatures prone to inconsistencies and hysteria. Sometimes we appear to have everything together but underneath our stolid exterior lies an amorphous blob of anxiety- a mixture of insecurities, ignorance and fear.
Arena Stage’s ‘Smart People’ isn’t so smart and not that funny either. Unless you’re a fan of stupid television sitcoms, take a rain check and wait for the next season. Here’s the Culture Curmudgeons review.
Fate of the Furious has all the fun, excitement and unintended hilarity of a big, dumb, and loud Hollywood summer blockbuster. Those who mistake it for anything else should get their heads examined. Here’s the Culture Curmudgeon’s review.
People don’t really suck. According to Russian playwright Anton Chekhov, the problem is way worse than that. Here’s the Culture Curmudgeon’s review of “Three Sisters” playing at Washington D.C.’s Studio Theatre.
Depending on your politics, the Trump presidency is either a disaster, godsend, maybe even both. While some blame Obama for leading to his rise, others think differently.
In the play Intelligence, the blame mostly lies on number 43. Our Culture Curmudgeon decides who’s right.
Racism is alive and well and social tensions have never been higher, especially in Trump’s America. But as Raoul Peck’s new film ‘I Am Not Your Negro’ about the late James Baldwin tells us, those racial divisions have never really gone away.
Jim Jarmusch’s latest film ‘Paterson’ is a tribute to the people who brave everyday drudgeries and humiliations. It also highlights the magic of gratitude and the million little things in life we take for granted.
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